Advanced Placement Literature & Composition

  • Welcome to the Advanced Placement English Literature and Composition course at North Lincoln High School. We will strive to improve skills in all modes of communication with a focus on some of the best efforts to entertain and inform by some of the most talented authors—mainly British and American—to attempt to challenge their readers to evaluate their techniques, including the various modes of figurative language, to gain deeper understanding of humanity. The syllabus includes a course overview that will give all interested parties an idea what to expect this semester in our class.

    Students are welcome to explore any or all of the titles referenced on this page. 

    As a whole class, we will read either the novel Their Eyes Were watching God by Zora Neale Hurston or the novel Beloved by Toni Morrision (R.I.P.). 

    During the semester we will also read and watch the dramas Fences by August Wilson and Hamlet by William Shakespeare.

    Students will also need to find a verifiable work of literature (see the Book List from the AP Lit Exam and the Syllabus below) to read independently during the semester.

    In addition to this, we will read a multitude of poetry; many of the titles we will read and analyze as a group can be found in the Poetry folder.

    NLHS Department of English Mission Statement

    The Department of English Language Arts at North Lincoln High School will help students master the skills of reading comprehension, critical thinking, writing, speaking, and listening.


DUE DATES 3rd Period AP Literature & Composition

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Rules, Procedures, and Legal Documents

  • Syllabus

    Please read the syllabus carefully. There will be a quiz on Wednesday, 8/14/2019.


    Print, initial, sign, and return PAGE 5 ONLY by Wednesday, 8/14/2019.


    “Learn the rules like a pro, so you can break them like an artist.”

     --Pablo Picasso


    “Any fool can make a rule and any fool will mind it.”

    --Henry David Thoreau


    "The clever thing was to break the rules and stay alive all the same."

    --George Orwell

    Comments (-1)

I Am Poetry Project

Poetry AP Lit

Poetry Responses

Literary Device Journal


Metaphor Analysis


  • Book List from AP Lit Exam 1971 - 2014

    The novels (and dramas; you must choose a novel) on this list have appeared as potential resources in Question 3/Open Question according to the College Board (or even excerpted and/or directly referenced) on the AP Literature & Composition exam. While this list potentially does not include all works that are considered classic literature (an area of debate), it is a great resource when considering what text to select for your reading. You are wlecome to attempt to select a novel not appearing on this list (it hasn't been updated for a few years). However, you must also attempt to prove to your instructor that it is worthy of being considered literature. Outside sources sharing your sentiment should be applied as evidence.

    Comments (-1)

MLA 2019


Book Feature Project

  • Find a novel that is considered a work of literature you really want to read. You can even choose to reread a work of literary fiction. There will be many requirements for the project for which your selection will be central. It is in your best interest to get involved in a title you will sincerely enjoy exploring in-depth. 

    If necessary, do some research about the title(s) you are considering. A list of all the novels ever referenced on AP Literature & Composition exam can be found on this site.

    Students must bring their novel choice with them to class (and everywhere else) every day starting Thursday, August 15, 2019.

An Exam Reader's Advice on Writing

  • from College Board's AP Central

    During my experience as a Reader, I have learned a few things about writing that I would like to share with other teachers. I hope you’ll find my observations helpful as you think about encouraging your students to do their best on the writing section of the AP English Literature Exam.

    Make a plan.

    Students should not begin writing until they fully comprehend the prompt and/or the passage. Mere parroting of the prompt often leads to floundering around instead of developing a clear direction. I recommend that you advise your students to write directly on the passage and make quick notes and outlines in the margins. This planning enables most writers to organize their ideas more efficiently.

    I have found that teaching students acronyms for reading and writing strategies (DIDLS, TP-CASTT, etc.) can work wonders. (These terms are discussed in the AP Vertical Teams Guide for English, 2002.) While your very best students might not need them, less able students can find them useful ways to begin. I often suggest that my own students not only mark up the passage, but also use the margins to fill in some of the acronym steps. This active planning takes an extra five minutes or so, but I’ve found that it’s well worth the time. Students who fail to read closely frequently wind up paraphrasing rather than analyzing the passages. Planning helps them stay focused.

    Begin quickly and directly.

    Although AP Readers are instructed to read the entire essay and not to be prejudiced by a weak introduction, a strong opening paragraph can be a real asset to a student’s paper. When answering the free-response part of the AP English Exams, writers should answer the question quickly and avoid beginning with ideas that do not relate directly to the prompt. The following hypothetical introduction for Question 1 on the 2002 AP English Literature Exam provides an example of what not to do:

    “All people at some point in time have encountered a great deal of trouble in their lives. I know of so many people who have been embarrassed by parents that will wave at you from across a room. I have a friend who told me that her parents did this very same thing.”

    Such generalities often signal a writer’s inability to respond in a thoughtful manner, suggesting that the rest of the paper also may be incoherent or rambling. The Reader might begin to suspect that the student is just trying to bluff his or her way through the question. One-sentence perfunctory introductions—especially ones that repeat the wording of the prompt—also work poorly, suggesting to the Reader that the student isn’t particularly interested or doesn’t care.

    I recommend that teachers tell students to create an introduction strong enough to earn a grade of 3 all by itself. That means that students should learn ways to answer the entire prompt—not simply repeat it—in the introduction. This indicates to the Reader that the paper could be heading into the upper-half zone. One way to help students improve their beginning is by providing them with several introductory paragraphs from papers that have earned a wide range of scores and asking them to identify stronger and weaker openings. (Sample papers are available on the Exam homepage for the course.) Rubrics especially designed for introductory paragraphs also can be helpful. After having students collect examples of several strong openings, you may want to ask them to develop their own rubric for introductory paragraphs.

    Use paragraphs and topic sentences.

    Although it may seem like a small matter, students should indent paragraphs clearly. A paper without indentation or with unclear indentation often confuses a Reader. Paragraphs create the fundamental structure of the essay, and without them good ideas can get muddled. Most essays I’ve seen that do not use paragraphs tend to be full of confused and rambling thoughts.

    Many writers find topic sentences a useful tool both for organizing paragraphs and also for helping Readers navigate through the essay.

    Use quotations and explain them.

    To score at least a 3, students would be wise to make use of pertinent references from the text. Encourage them to use specific quotations to back up their assertions. However, remind them that they must explain their quotes clearly and demonstrate how they are relevant to the question. It is important for young writers to realize that offering long quotes without explanation bogs down the essay and can give the undesirable impression that the student is trying to fill up space rather than answer the prompt!

    Create variety.

    Short, choppy sentences without variety indicate a student who has little background in grammar and style, perhaps someone who has read and written minimally. Teach students how to connect ideas with transitional wording, participial phrases, appositives, subordinate clauses, etc. I ask my students to imagine children making the same tower or castle each time they played with blocks. They soon would become bored. Likewise, both writers and readers get bored when everything is formulaic, lacking some individual pizzazz! I suggest asking them to experiment with different sorts of syntactical devices to help them develop a sense of style.

    Find the right word.

    An arsenal of appropriate vocabulary and analytical wording reveals a brilliant mind at work, but writers should make certain that the words fit. Some students stick in big words just to sound scholarly. Ironically, some of their papers score only a 2 because they lack clarity and sometimes say nothing of relevance to the prompt.

    I advise my students to use the active voice as much as possible as one remedy for repetition and other superfluous wording. I also suggest encouraging them to develop a mental thesaurus, so they will have a large variety of words available as they compose.

    Authored by

    • Conni Shelnut
      Lakeland High School
      Lakeland, Florida